Re-posted with permission from Yaminatoday.com:
The short answer of why I decided to make the female heroine of my fantasy/romance novel The Last King really dark and really feminine is because such a woman is a rarity to see in literature, film or television.
I mean, even if a heroine is Black, she’s likely brown-colored or light, and she is most certainly going to have straight hair and not her natural curls.
Not so with Emmy Hughes – I decided to make her everything this world insists should not be considered beautiful, lovely and worth perusing – dark-skinned with kinky hair (okay, it’s BIG kinky hair for sure, no teeny weeny afro’s I admit, but that’s because I like BIG hair).
The main reason I did this is because I’m tired of seeing the same images played out in the media of what’s attractive. I specifically wanted to contribute, no matter how small, to the idea of Black women being seen as attractive and feminine.
Why feminine? Because Black women have traditionally been denied the right to be seen this way, and personally, I think this has hurt us in numerous ways.
Sisterhood Agenda features a picture of actress, Viola Davis, in its Black Girls Guide: How to Transition to Naturally Beautiful Hair. Davis relishes the opportunity to portray a character who is “sexy… complicated… mysterious” in Shonda Rhimes’ new hit television show, How to Get Away With Murder. In a recent newspaper article, the New York Times calls Shonda Rhimes “angry” and Viola Davis “less classically beautiful.” Watch how we defy stereotypes and labels:
“It seems that other people, they don’t quite get it, which I find insanely amusing. The New York Times seem shocked, let me say it again, shocked, and called Shonda an angry Black woman and says you are ‘less classically beautiful’ than typical TV stars. Now isn’t beauty subjective?” Whoopi Goldberg, “The View” co-host.
“I think that beauty is subjective. I’ve heard that statement ‘less classically beautiful’ my entire life,” states Viola Davis. “Being a dark-skinned Black woman, you heard it from the womb. And classically not beautiful is a fancy term for saying ugly. And denouncing you. And erasing you. Now…it worked when I was younger. It no longer works for me now… It’s about teaching a culture how to treat you and how to see you… Because at the end of the day, you define you.”
In The Hollywood Reporter, Rhimes also addressed the issue:
“In this world in which we all feel we’re so full of gender equality and we’re a postracial [society] and Obama is president, it’s a very good reminder to see the casual racial bias and odd misogyny from a woman written in a paper that we all think of as being so liberal.”
These long-lost series of photographs, unseen for 120 years, is the dramatic centrepiece of an illuminating new exhibition called Black Chronicles II. “The portraits were last shown in the London Illustrated News in 1891,” says Renée Mussai, who has co-curated the show at London’s Rivington Place alongside Mark Sealy MBE, director of Autograph ABP, a foundation that focuses on Black cultural identity often through the use of overlooked archives. “The Hulton Archive, where they came from, did not even know they existed until we uncovered them while excavating their archive as part of our research project.”
“There is a certain melancholy to many of these images, particularly the portraits of children, that speaks of exile and estrangement… The history of colonialism, in all its contradictions, is present in these portraits,” says Mussai.
Drawing on the metaphor of the chronicle the exhibition presents over 200 photographs, the majority of which have never been exhibited or published before. As a curated body of work, these photographs present new knowledge and offer different ways of seeing the Black subject in Victorian Britain, and contribute to an ongoing process of redressing persistent ‘absence’ within the historical record.
Black Chronicles II is a public showcase of Autograph ABP’s commitment to continuous critical enquiry into archive images which have been overlooked, under-researched or simply not recognised as significant previously, but which are highly relevant to black representational politics and cultural history today.
Black Chronicles II is at Rivington Place, London, until 29 November 2014.
Directors Guild of America released a report on the number of non-white and non-male directors hired to direct prime time episodic television, between 2013 and 2014, and across broadcast, basic cable, premium cable, and high budget original content series made specifically for online consumption.
In its report, the DGA says that it looked at more than 220 scripted series, and 3,500 episodes, produced in the 2013-2014 network television season, and the 2013 cable television season. And here’s what they found:
- Caucasian males directed 69% of all episodes;
- Minority males directed 17% of all episodes;
- Caucasian females directed 12% of all episodes; and
Minority females directed 2% of all episodes
“Minority” includes all ethnic minorities, not just those of African descent. This statistic provides perspective when looking at our entertainment industry and wondering where women and girls of African descent fit in. The good news: sisters are taking back their identity and images by writing, directing and starring in their own independent films.
Four Girls in Birmingham Alabama 51 years , 250 girls in Nigeria four months ago. Are these two things linked? Absolutely. We are the solution to the issue. Come let us stand for dignity, safety and vision FOR OUR DAUGHTERS.
Saturday September 20, 4pm New Winston Museum 713 Marshall St. Winston- Salem, NC
Join us in a community discussion led by Oyesina Ogunmola as we discuss the problems surrounding the continual misuse of women for the entertainment and comfort of men. This worldwide phenomena create a hostile environment for women and girls to grow and flourish. Let us discuss our responsibilities to address this troubling issue.
This event is free and is a part of I am Worthy’s FOR OUR Daughters Community Campaign. For more information or questions you can visit http://www.iamworthyenterprises.com/ . You may also send an email to email@example.com.
In June, after The Huffington Post ran an investigative report on a woman allegedly murdered by her boyfriend, we received an outpouring of responses from domestic violence survivors who wanted to explain why they had stayed with their abusers. We spent the next three months interviewing these women. While they offered hundreds of reasons, ranging from the logistical to the deeply personal, some common themes emerged: Fear. Love. Family. Money. Shame. Isolation.
In this series, you will hear from six survivors of domestic violence about why they didn’t leave sooner. The stories — told in their own words — are as distinct as they are similar. One woman suffered a brutal week of abuse before fleeing. Others stayed for decades trying to make things work. Two women were shot, the bullets narrowly missing their hearts. Another endured years of incessant stalking.
Need help? In the U.S., call 1-800-799-SAFE (7233) for the National Domestic Violence Hotline.
Frustrated by the dearth of women writers being published in major magazines and literary journals, WAM! is proud to be sponsoring the Out of the Binders conference, a “symposium to empower women and gender non-conforming writers with tools, connections, and strategies to advance their careers.”
Inspired by the “Binders Full of Women Writers” Facebook groups, this conference will include a wide range of programming, including professional development and skills-building workshops; speakers from a wide range of disciplines; panels on things like women in the newsroom and starting your writing career after forty; networking opportunities for folks at every stage of their career, and more!
The conference will take place on October 11 & 12 in New York City, on the campus of New York University.
Reserve your spot today before they’re gone.
No matter what problems you are dealing with, we want to help you find a reason to keep living. If you feel you are in a crisis, whether or not you are thinking about killing yourself, please call the Lifeline. People have called us for help with substance abuse, economic worries, relationship and family problems, sexual orientation, illness, getting over abuse, depression, mental and physical illness, and even loneliness.
By calling 1-800-273-TALK (8255) you’ll be connected to a skilled, trained counselor at a crisis center in your area, anytime 24/7.
Visit http://www.suicidepreventionlifeline.org/ for more information.
The Center for Black Literature, Akila Worksongs, African Voices Magazine, The Schomburg Center for Research in Black Culture and Arts+Crafts, Inc. invite you to:
The Official New York City 80th Birthday Party
for SONIA SANCHEZ
Friday, Sept. 19, 2014 • 6 pm
Bedford Hall, 1177 Bedford Ave, Brooklyn
(bet. Madison St. and Jefferson Ave.)
Ursula Rucker – Jessica Care Moore
Remarks by Haki Madhubuti, Third World Press
Music by DJ Reborn and much more!
Buy tickets at www.celebratesonia.eventbrite.com
For more info call: 718.804.8883 or 718.756.8501
Let’s see more women of African descent included in a discourse about female equality.
We made this badge:
Explore the International Museum of Women’s selection of stories in Imagining Equality about identity:
“From the U.S. to Australia, from Cuba to Switzerland, women around the world are refusing to conform to stereotypes. Instead, they are embracing their individuality, rejecting social limitations, and striving for a more equal world.
The creative pieces in IDENTITY show that when we break the constraints of a mold, we are liberated to embrace our more authentic selves. And when we have the courage to pursue our individual human rights, we are also emboldened to work toward the larger goal of human rights for all women.”
“We completely sold out last year which is why it is important for you to reserve your spot early with our promo code BWDW15!
My goal for Black Women “Do” Workout in 2015 is to be the largest group represented at Commitment Day 5K on New Year’s Day, so PLEASE make sure you enter BWDW15 code during registration and get your FREE T-Shirt and FREE registration for any child accompanying you under 12!
Or, volunteer as a Chapter Ambassador for the walk/run race and FIND OUT HOW TO REGISTER FOR FREE!
We can do this! Just click the registration button and we will see you there!” Crystal Adell
PWN-USA’s first-ever SPEAK UP! A National Leadership Summit for Women Living with HIV will begin, bringing 200 women living with HIV from all corners of the U.S., together in Fort Walton Beach, FL. These fierce women are fundraising to pave their own roads to SPEAK UP! Read the stories in this eblast and find out how you can support these awesome efforts!
Why are so many women so passionate about attending this herstoric gathering? Watch these videos featuring women sharing why coming to SPEAK UP! is important to them and their communities.